For the past 4 to 5 years, Wendy Landerholm and her family regularly have attended our Sunday Gatherings and Family Campouts. When not hiking or making music, Wendy serves as Firm Administrator of Landerholm Immigration, A.P.C., an immigration law firm she and her husband Otis started in 2011, and they have two kids, River and Koah.
Given all the demands on her time, we were curious to know what motivates Wendy to volunteer for the East Bay Community Music Project, where she is finishing her second term as Board Treasurer.
If Wendy’s first love is music, then her second love is being outdoors in nature, especially hiking, backpacking (her favorite was through the Himalayas in Nepal), camping, gardening, and living sustainably.
What is your musical background?
“I
have played music my entire life. I don’t even really remember when I
started taking piano lessons from my aunt, maybe in first grade. I also
took flute lessons from third grade through college and was always in
band or orchestra. I’m a classically-trained musician at heart, but I
was also in jazz band in elementary school and junior high. I didn’t
feel comfortable improvising on my own, however. Band and orchestra
taught me that there is something
very special about playing with a group of people, about blending
yourself within that group and creating something that’s really
beautiful. I miss doing that…”
What did you discover when you came to EBCMP?
“We went to our first East Bay Community Music Project gathering after I saw an announcement in the Berkeley Parents’ Network. At
EBCMP, I found that, unlike classical music, it wasn’t about
perfection. It was about improvisation and going with the flow, and that
was a very different view on music than I was used to, and it was very
refreshing!”
What keeps you and your family coming back to EBCMP?
“We go for ourselves as much as for our kids…One of the reasons that we continue to go back is that there’s a deep sense of community
that is hard to experience anywhere else. At EBCMP, it feels easy to
sing with other people and you don’t have to worry about your level of
singing (or dancing). It’s like seeing your friends every other Sunday,
and also seeing new faces. It’s nice to know that the organization is
reaching other people and that people are drawn to it.”
How has participating in EBCMP impacted you musically?
“I do feel much more comfortable with improvisation, even just playing around with harmony during the events. And
there are lots of songs that both my husband and I are very comfortable
sharing with our friends and families because the songs are so
accessible. Even though I
love playing classical music, in my opinion, it isn’t always as
accessible for everyone at the very beginning, because you have to have a
certain skill level.”
Tell us more about how you’ve shared some of your EBCMP experience with other communities in your life!
“It is remarkable how the songs we learn through EBCMP show up in our daily lives— on our way to school and work, at bedtime, when we are with friends, family, and co-workers… We sometimes have huge family reunions and my husband, Otis, brings out his guitar, sits out on the porch with my cousins’ kids, and plays songs we’ve learned from EBCMP. He plays and the kids are just sitting there watching and singing with him, and they seem very calm and grounded. We also just had a team campout with our law firm staff. This was our second year having the campout, and it’s a tradition to sing a song we learned at EBCMP, James Harding’s “Round the Oak Tree,” around the campfire – it gets requested now!”
Any parting thoughts?
“I grew up with music and know intimately the special energy and joy that comes from making music. To have a space where that can be shared in community is truly special.”
If, like Wendy, you believe that spaces where people can make music in community are truly special, we hope you will join her in supporting EBCMP. And we hope to make music with you soon at one of our upcoming events!
What was your musical experience before you started EBCMP?
Music has always been part of my experience. My mother used to sing me lullabies on her guitar. My grandmother used to sing me this one lullaby, “Little Man, You’ve Had a Busy Day,” and I used to ask that she sing it to me over and over. And now it’s my son’s most requested lullaby. My grandfather played guitar and sang, and my dad sang in the shower, and there were a lot of parties when I was a kid and there was always music playing: Beatles, Cat Stevens and the popular music of the day. That was always really important to me. I listened to Top 40 radio, religiously, and I would try to guess what would be the top song and what would be the order of the songs.
EBCMP Director Ryk Groetchen with his son, Harlan
There was a short time in my childhood when we sang in church. Church didn’t make a big impression on me except for the standing up and singing part. I remember the moment we were singing along; an adult was holding the hymnal, and I was following along the words. All of a sudden, I could tell the little dots were moving up or down and showing the melody! I couldn’t read music at that moment but I could tell if the melody would go up or down. That was a big revelation!
When I was a kid there was actually music in school that was pretty comprehensive up until fifth grade. We either had a singing class or we had instrumental music. And I always thought of myself as a musician. I always wanted to be a better musician than I was at any given time. But I always thought of myself as a musician.
I’ve played and sung throughout my whole life. Usually in a self-directed way; I would make my own courses of study. Playing in bands, rock bands, experimental ensembles and choirs and just always having new musical experiences…
I was never a virtuoso as a musician, like the people that I saw around me who were making their living as musicians.
So I went back to school for music. My thinking was that I would work as a high school band teacher or something like that. But in the course of my studies I became aware of early childhood music. And when I pursued that, for me it was a perfect fit. I felt like I was at home; I could express my musicality, the things I had to share were relevant to that particular teaching method, and to that community of parents and children together. That became the thrust of my work in music — early childhood music education.
What inspired you to found EBCMP?
In my work in early childhood music, most of the kids tend to stop coming to the program sometime between the ages of 3 and 5. I had families in my classes come to me and ask me if there was another program similar to what we were doing, but for older kids. I did some research, and I didn’t find a whole lot.
So I decided to try to start something that was on a morning when everyone could be there, and to create a structure that allowed everyone to participate. Something that was available to all ages, not just children, but anybody! And to create a structure that facilitated people being able to come together and make music with one another for an hour or an hour and a half, to leave with a good feeling. I wanted to see if that activity and good feeling was enough to make people help each other in other contexts in their lives, like I’ve seen in other cultures around the world. That was the reason for the founding of EBCMP.
This took the shape of our Sunday Gatherings, which continue to this day. When Sunday Gatherings first started I was really gratified by all the people who showed up. It was a big experiment. I thought: maybe nobody will show up! But people have come consistently. And at almost every event we have, there’s at least one person or family that is coming for the first time. So that’s been wonderful!
I continue with it because I continue to want to explore this boundary or this relationship between music making and what we call community. Community exists, especially in an urban setting, on many levels: we have our work communities, our school communities, our parenting communities and our neighborhood communities. I continue to want to explore the kind of community that comes up around doing an activity like music where everybody is fully engaged for the time that they are doing that activity.
What impact has EBCMP had on your life?
EBCMP has allowed me to hone my skills as a leader. I’ve learned to work with people of different ages and from different walks of life. It has helped my communication skills, my songleading skills, and my musicianship immensely!
The music making that we do has been a big creative outlet for me, in the sense that I get to create arrangements for non-standard ensembles. I get to watch kids and adults who bring instruments in and I can put together something that helps those people play together in a way that’s not super formal but allows them to feel a sense of satisfaction with their musicianship. Facilitating that is really satisfying for me. More satisfying than when I’ve participated in classical ensembles, or when I’ve participated in various types of performance where you have a big audience. That’s another reason why I continue to do it. It’s very satisfying musically.
It’s also allowed me to pass some of those skills to other people. I’ve been able to mentor people who want to lead songs both at EBCMP gatherings and who want to do different types of music events in different parts of their community.
Also, It would be easy for me to feel social isolation because I don’t have a lot of family in this area. I feel like I would have a lot more stress in my life if I didn’t have people with whom I could communicate when I have a question about parenting, or about how to get something logistically done within the community. I just feel so grateful to have this connection with people that I see all the time, that I sing with, that I see just smiling back at me, who I know I can turn to if I need anything. That has been a huge thing!
Also my son, Harlan, has grown up in this community. He has this incredible community of non-parental adults. You get a lot from your parents, and it has also been shown that a big part of growing into a successful adult is having access to non-parental adults with whom you feel respect and with whom you feel safe and that you can turn to in times of stress or in times of need. I can see that my son has that, and I am so grateful!
So EBCMP has connected me to an amazing community of teachers and professional people and home-makers and parents and children that has made me feel connected to the area that I live in in a way that really supports my life.
What is your vision for EBCMP for five years from now?
I want to continue building on what we have. I feel like I have models from around the world of how people work together to support one another’s lives. My vision is that we continue to build on the musical and community skills that we’re already developing.
The greater more abstract vision is that: We’re living in times right now where people are very unsatisfied with our various institutions, our educational institutions, our medical institutions, with the way that our government is handling or not handling the environment, and things like that.
I think we may be moving into a time where people start relying on one another, on close networks of people, rather than the established institutions. So I hope to have some tiny part in creating a space where people feel comfortable enough with one another that they can ask each other the important questions, like: How do we support each other and make our lives, our kids lives and our planet’s life more livable?
